Specificity
| Temporal |
made specifically for a specific moment in time. what remains after is a residue, or its derivatives, but not the root of the work. |
| Geographical |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aene |
| Social |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aene |
| Thick place |
Rêverie & Ouvre insomnia.>>Z |
Body at the center
| Teather Act |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aenean aliquet fringilla sem. Suspendisse sed ligula in ligula suscipit aliquam. Praesent in eros vestibulum mi adipiscing adipiscing. Morbi facilisis. Curabitur ornare consequat nunc. Aenean vel metus. Ut posuere viverra nulla. Aliquam erat volutpat. Pellentesque convallis. Maecenas feugiat, tellus pellentesque pretium posuere, felis lorem euismod felis, eu ornare leo nisi vel felis. Mauris consectetur tortor et purus. |
| Interaction |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aene |
| Experience |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aene |
| Para Performance |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aene |
Breath
| La Forma Eterodeterminata |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aenean aliquet fringilla sem. Suspendisse sed ligula in ligula suscipit aliquam. Praesent in eros vestibulum mi adipiscing adipiscing. Morbi facilisis. Curabitur ornare consequat nunc. Aenean vel metus. Ut posuere viverra nulla. Aliquam erat volutpat. Pellentesque convallis. Maecenas feugiat, tellus pellentesque pretium posuere, felis lorem euismod felis, eu ornare leo nisi vel felis. Mauris consectetur tortor et purus. |
| Non Action |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aene |
| Un-productive |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aene |
Imagination
| Political act |
Yes, because there is always something to decipher. Every stage along the way is a single element of a written passage, of a code. It can be said that the works of f’ coincide with the symbols of a code that must be revealed. The aim of the exercise is however greater than the pleasure of inventing a charade and then solving it. Here the aim is to verify the soundness of a virtue which is presumed to be shared by both the artist and the spectator: that which speakers of the Latin language – and still today lawyers- call, with an ambivalent meaning, fides.
Fides that is trust. The secrets that are part of the artist’s biography are written on squared paper and are then cut out and reassembled in a different sequence in order to form an irregular geometric design (The Tracce Series). A photograph that is never publicly displayed is broken down into pixels which are then transformed into cubes of coloured wood and arranged in the exhibition area according to their different hues. Anyone who is interested can buy a portion of this work in such a way that the image belongs to everyone even though no-one has ever seen it (Dudy Guard). A cryptic phrase is written by joining together pieces of mirror which reflect each other so that what would otherwise be impossible to read becomes legible (Senza Titolo. Oblio).
|
| Biophilia |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aene |
Identity
| Time |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aenean aliquet fringilla sem. Suspendisse sed ligula in ligula suscipit aliquam. Praesent in eros vestibulum mi adipiscing adipiscing. Morbi facilisis. Curabitur ornare consequat nunc. Aenean vel metus. Ut posuere viverra nulla. Aliquam erat volutpat. Pellentesque convallis. Maecenas feugiat, tellus pellentesque pretium posuere, felis lorem euismod felis, eu ornare leo nisi vel felis. Mauris consectetur tortor et purus. |
| Memory |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aene |
| Technology |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aene |
| Pseudoscience |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aene |
Francesco Bertelé (1978) is a visual artist and his research ranges from exploration, experience and perception .
In his work, practical experimentation merges with an ethics of empathic relationship between man and nature, crossing limits and conceiving mergers.
He is the author of transmedia works that often result in environmental and interacting installations, capable of restoring a complex experience, ranging from classical techniques to the latest digital technologies.
In his latest projects, he has analyzed the effects of the digital-virtual communication networks on the definition of the collective imagination and its influences on the perception of reality .
F' investigates the most urgent political and social processes, giving back with his poetics visionary works as a result from the synthesis between collective data and personal exercise.
F' has been working in synergy with a network of professionals for several years, through a mutual methodology of collective intelligence , as an example in many works developed with recipient.cc
He is the artistic director of a2410.it , a cultural bivouac created to exist under the most extreme conditions and it is designed in terms of environmental sustainability.
He is the creator of the production house Carrozzeria Margot .
He is a charter member of Mobeel - associazione Culurale [2005-2010, Venezia].
some projects need patrons to be realized.
in an evolving world where new needs emerge, you can furnish an opportunity to launch projects which would otherwise be difficult to develop in different economic systems.
the project proposals that you find in the ON AIR section should therefore be understood as an approach to research and development even if your trust* would enable the realization of a phase and/or a prototype of them.
so
if you can bet to turn utopias into small portions of reality...
ask me !
*[i.e. fides in themes/specificity/social]
Specificity
| Temporal |
made specifically for a specific moment in time. what remains after is a residue, or its derivatives, but not the root of the work. |
| Geographical |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aene |
| Social |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aene |
| Thick place |
Rêverie & Ouvre insomnia.>>Z |
Body at the center
| Teather Act |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aenean aliquet fringilla sem. Suspendisse sed ligula in ligula suscipit aliquam. Praesent in eros vestibulum mi adipiscing adipiscing. Morbi facilisis. Curabitur ornare consequat nunc. Aenean vel metus. Ut posuere viverra nulla. Aliquam erat volutpat. Pellentesque convallis. Maecenas feugiat, tellus pellentesque pretium posuere, felis lorem euismod felis, eu ornare leo nisi vel felis. Mauris consectetur tortor et purus. |
| Interaction |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aene |
| Experience |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aene |
| Para Performance |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aene |
Breath
| La Forma Eterodeterminata |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aenean aliquet fringilla sem. Suspendisse sed ligula in ligula suscipit aliquam. Praesent in eros vestibulum mi adipiscing adipiscing. Morbi facilisis. Curabitur ornare consequat nunc. Aenean vel metus. Ut posuere viverra nulla. Aliquam erat volutpat. Pellentesque convallis. Maecenas feugiat, tellus pellentesque pretium posuere, felis lorem euismod felis, eu ornare leo nisi vel felis. Mauris consectetur tortor et purus. |
| Non Action |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aene |
| Un-productive |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aene |
Imagination
| Political act |
Yes, because there is always something to decipher. Every stage along the way is a single element of a written passage, of a code. It can be said that the works of f’ coincide with the symbols of a code that must be revealed. The aim of the exercise is however greater than the pleasure of inventing a charade and then solving it. Here the aim is to verify the soundness of a virtue which is presumed to be shared by both the artist and the spectator: that which speakers of the Latin language – and still today lawyers- call, with an ambivalent meaning, fides.
Fides that is trust. The secrets that are part of the artist’s biography are written on squared paper and are then cut out and reassembled in a different sequence in order to form an irregular geometric design (The Tracce Series). A photograph that is never publicly displayed is broken down into pixels which are then transformed into cubes of coloured wood and arranged in the exhibition area according to their different hues. Anyone who is interested can buy a portion of this work in such a way that the image belongs to everyone even though no-one has ever seen it (Dudy Guard). A cryptic phrase is written by joining together pieces of mirror which reflect each other so that what would otherwise be impossible to read becomes legible (Senza Titolo. Oblio).
|
| Biophilia |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aene |
Identity
| Time |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aenean aliquet fringilla sem. Suspendisse sed ligula in ligula suscipit aliquam. Praesent in eros vestibulum mi adipiscing adipiscing. Morbi facilisis. Curabitur ornare consequat nunc. Aenean vel metus. Ut posuere viverra nulla. Aliquam erat volutpat. Pellentesque convallis. Maecenas feugiat, tellus pellentesque pretium posuere, felis lorem euismod felis, eu ornare leo nisi vel felis. Mauris consectetur tortor et purus. |
| Memory |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aene |
| Technology |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aene |
| Pseudoscience |
Morbi tincidunt, dui sit amet facilisis feugiat, odio metus gravida ante, ut pharetra massa metus id nunc. Duis scelerisque molestie turpis. Sed fringilla, massa eget luctus malesuada, metus eros molestie lectus, ut tempus eros massa ut dolor. Aene |
Francesco Bertelé (1978) is a visual artist and his research ranges from exploration, experience and perception .
In his work, practical experimentation merges with an ethics of empathic relationship between man and nature, crossing limits and conceiving mergers.
He is the author of transmedia works that often result in environmental and interacting installations, capable of restoring a complex experience, ranging from classical techniques to the latest digital technologies.
In his latest projects, he has analyzed the effects of the digital-virtual communication networks on the definition of the collective imagination and its influences on the perception of reality .
F' investigates the most urgent political and social processes, giving back with his poetics visionary works as a result from the synthesis between collective data and personal exercise.
F' has been working in synergy with a network of professionals for several years, through a mutual methodology of collective intelligence , as an example in many works developed with recipient.cc
He is the artistic director of a2410.it , a cultural bivouac created to exist under the most extreme conditions and it is designed in terms of environmental sustainability.
He is the creator of the production house Carrozzeria Margot .
He is a charter member of Mobeel - associazione Culurale [2005-2010, Venezia].
some projects need patrons to be realized.
in an evolving world where new needs emerge, you can furnish an opportunity to launch projects which would otherwise be difficult to develop in different economic systems.
the project proposals that you find in the ON AIR section should therefore be understood as an approach to research and development even if your trust* would enable the realization of a phase and/or a prototype of them.
so
if you can bet to turn utopias into small portions of reality...
ask me !
*[i.e. fides in themes/specificity/social]
