Themes
the spectator, which activates the work, is the interacting element.
..//#adaptive
the work modifies itself by interacting with the body and mind of the viewer.
the spectator is a character on stage and central is the lived experience as authentic in itself.
the (inner) experience in this sense, is a crack, not knowing, evidence of the unknown, absence of project, wandering in the darkness. ...
we should say that experience is indestructible, even when it finds itself reduced to the survivals and hiding of mere
glimmers in the night. [G. Didi-Huberman]
every discovery is both intense and fragile, and can only be rediscovered through the memory of the trace it has left in us: to visit a place for the first time is, in this way, to begin to write it down. ... in a Japanese bouquet of flowers... whatever the symbolic intentions of this construction... the circulation of air is what is produced. one can move the body forward into the interstice of its branches, into the light of its volume, not read it (read its symbolism) but retrace the path of the hand that wrote it. [r. barthes]
hidden from the conscious public, action often happens in a #thickplace. protecting the timid vitality of the #thickplace is existential empiricism. perhaps, this hiding coincides with the hermit's experience, before returning from his hermitage to the valley.
if something wants to become an image it is not to last, it is to disappear better[...] the intensity of the image is commensurate with its negation of the real, with the invention of another scene. [j. baudrillard]
Biography
f’ is a visual artist who traces his research path between exploration and experience. he creates environmental and interacting installations, able to return a complex experience, ranging from classical techniques to the most recent digital technologies, merging theory and practical experimentation in the continuous study of the relationship between man and nature.
through a progressive attempt to parcel out the form, f’ tests transmedia narratives analyzing the effects of the virtual, the digital epistème, on the definition of the collective imagination and its influences on our perception of reality (cognitive, emotional and biological).
f’ investigates the most urgent political and social processes, returning them in the form of visionary poetic works, the result of the synthesis between collective data and personal exercise.
f’ works in synergy with a network of professionals, adopting a mutual methodology, which makes use of collective intelligence.
since 1999 f’ has created, founded and directed several projects.
the most recent are:![]()

